1. Electric guitar, directly connected to the main input, with automatic wah effects WITHOUT using the pedal or turning any knobs while playing. Sudden level increase by plucking the strings generates a trigger for the envelopes. Backgroundeffects: first and last clip dry, slight reverb for the rest.

2. An electric guitar, directly into the e&f's main in to show only the DISTORTION unit 1: guitar original (distortion at zero), 2: guitar with slight distorton, 3: guitar with more distorton, 4: guitar with hard distorton, 5: guitar with heavy distorton, 6: combination of distortion and auto filter.

3. Two electric guitar examples, directly into the main input. Auto functions (Audio-Trigger + envs) AND a pedal for cutoff controlling are used. After the main output comes a little bit reverb.

4. A simple hand played polyphonic blues part with a soft saw-tooth synth.

5. A simple repeating saw-tooth melody goes into the main input. After the main output comes a little delay & reverb. This turns the focus on the filters in combination with the carefully applied distortion. Also, the melody generates triggers for the envelopes, which modulate the cutoff's beside the LFO.

6. At the beginnig you hear a simple synth chord going into the seperate VCF1 input AND a simple drum loop going into the main input (at the same time), where the internal AUDIOTRIGGER generates synchronous triggers for the envelopes and the S&H, which is sampling a slow LFO sawtooth wave. Depending on the frequency relationship between the rhythmic tempo and the LFO different pattern are created. Finally a little delay & reverb are added to the main output, which is all you hear.

7. A true wav-file of the super-smooth VCF2 in 24db low-pass mode.